Information and poetry
Realistic color
Realistic color Trying to represent a color realistically can also be a limitation when you can use it to express sensations and leave the informative load to the form. Distribute the weight of communication in form and color and get new messages.
Read MoreThe perspective
Perspective Perspective is another form of the same mistake. I tend to look for its correction and that limits me to realistic compositions. A place can be represented either by what we see or by what is there. Christian Montenegro explains it perfectly. The perspective can be deformed aggressively or slightly. In both...
Read MoreFilm framing
Film framing I come from the world of audiovisual communication. Video and animation. In this world there reigns a type of composition based on types of cinema shots. A structuring that takes the human figure as a reference and establishes different types of framing of it. Thus, there is the general shot when it represents a...
Read MoreDrawing well
Drawing well The clearest example I find in human poses. I remember in animation class, how in order for some poses to be understood, reality had to be distorted a little. For an image to be understood by the reader, he must see as clearly as possible all the elements necessary to complete the image....
Read MoreReality, what we have learned
Reality, what I've learned has happened to me a thousand times. I'm drawing something. The pose of the figure is correct, but something that should be seen, for example an object in one hand, is not seen at all. There is a conflict. I need to show that, but the pose doesn't allow it. In the end, I come to a...
Read MoreThe light
Light Light has the power to control information. The base position of light is zenithal. It gives us a shadow on the ground. It can show information or hide it. It also gives us spatio-temporal information. It can tell us the time of day, but it can also tell us the type of place where we are...
Read MoreHarmony
Harmony In poetry we talk about the musicality of a poem. Color will be a key part of the musicality of the illustration. Colour is an indivisible part of a line or a shape. The shape is shape because it has a colour or a set of colours that define it as an object, recognisable...
Read MoreThe color
Color I find this topic really complex and I don't think it can be solved easily. I'm going to focus on the color information. The white of the paper is a free space. It is something to be filled. A blank sheet of paper is something to be filled. But it's not a meaning that color has...
Read MoreThe environment
The environment The scenery is a set of elements that give information about a location of a scene. If we represent the scenery it is because there is important information for the understanding of the image. You can add that information, or not. It is not always necessary. You can be very descriptive or be more subtle. If...
Read MoreThe face
The face Serves to definitively define a character. It is the who. It makes that in a cartoon, seeing only the face, we can know which characters are talking. When the spectator sees eyes and mouth, he recognizes a face. The nose, the shape, the type of eyes and mouth serve to specify. It makes it so that there are no doubts...
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