The Perspective

Perspective is another form of the same error. I tend to look for their correction and that limits me to realistic compositions.

A site can be represented either by what we see or by what is there. Christian Montenegro explains it perfectly.

The perspective can be aggressively or mildly distorted. In both, communication wins and, in my opinion, poetry also wins. From that warp, we regain control of the scene. We make it our own and we can mold it to our liking so that in form and content it is more complete.